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Zoë Svendsen's understanding of a climate dramaturgy argues in favour of combining artistic goals with responsibility for people and the environment.

The Russian critic Alla Shenderova asks herself and colleagues in exile and in Russia about a possible future and what it means to be Russian now.

Ukrainian theatre director and playwright Oleksandr Seredin talks about his experiences in the war and how it changed his attitude towards theatre and himself.

Gemma Pörzgen, journalist with a focus on Eastern Europe, reflects on the role of theatres in times of war - both in the Ukraine and in Germany.

Sophie Diesselhorst in conversation with Anastasiia Kosodii, Maja Zade and Nina de la Chevallerie about the challenges and successes of collaboration between exiled artists and German stages.